nathanaëlle viaux/skorecki 2013/la pimbêche à vélo

le film attend sagement d'être monté, on le verra bientôt, s'il décide de se laisser voir ...

dylan 1963/première version de don't think twice it's alright

... .... .... .... .... la chanson qui m'a fait découvrir (et aimer) dylan l'été 1963 à new york sur the freewheelin' bob dylan .... en 1962 j'avais écouté et détesté (trop étrange) son premier disque nasillard, à new york aussi ...

skorecki 1988

pascal cervo 2013 (monsieur lapin)

vu samedi (le 1er juin) le nouveau film émouvant et rigolo réalisé par pascal cervo, monsieur lapin ... en une petite quarantaine de minutes, on retrouve avec une grande fraîcheur et une belle modestie discrète les qualités mystérieuses et obliques du cinéma de jean-claude biette ... le rire succède à l'énigme, jamais résolue, toujours mise en attente ... on ne sait pas où on va mais on y va avec un plaisir sans cesse renouvelé ... il y aussi un sens des durées proprement straubien ... le premier festival à le sélectionner rendra un service au cinéma, ou ce qui est reste ...

sinatra 1959 (and daughter nancy)

sinatra 1949/one for my baby (and one more for the road)

dylan 2009/sugar baby (amsterdam)

unusual version of sugar baby, from love and theft/2001, best dylan album of the last forty years

skorecki 1965, new york

(photo/bernard gidel)

gene austin 1928/she's funny that way

billie holiday 1937/he's funny that way (with lester young)

sinatra 1959/she's funny that way (studio outtakes)

frank sinatra 1957/chet baker 1959

best song by dylan's old voice (buffalo, 2013)

what good am i? (dylan/dylan)

une des plus belles choses au monde ...

.... .... .... ..... .... .... .... .... al hibbler et hank jones (1982)... le dernier disque de al hibbler ...

blind willie mc tell/avril 2013

bob dylan and sam peckinpah, as told by rudy wurlitzer

Bob Dylan came to see me and said, "you know I think I was the reincarnation of Billy the Kid". And I said, "really? That’s interesting". And he said, y"eah. Is there any way I can be in that film"? So I called the producer and I said, "listen, Bob Dylan wants to be in the film" and I wrote him a part really off the cuff. Then I took Dylan down to Durango to meet Peckinpah. It was night when Dylan and I got off the plane and we caught a cab to the house Sam had outside of town. When we got there, there was a shot, and this maid ran out of the house screaming. Dylan was freaked! So I thought, oh man, we’re going to blow the whole thing. We went up to the house, opened the door and it was all dark, just a light upstairs. So I called, "Sam, are you up there? Anyone up there? What’s going on?" No answer. We crept up the stairs and Dylan was behind me — we go down the hall where Sam’s bedroom was, I slowly opened the door and Peckinpah is standing in front of a full length mirror completely naked. He has a pistol in his hand and he had shot his own image in the full length mirror. I turned to Sam, and I said, "Sam, I don’t know if you know it, but this is Bob Dylan, he’s going to be in the film, I wrote him a part." Sam paused and turned to Dylan and said, "I’m a big Roger Miller fan myself." -- Rudy Wurlitzer

SKORECKI à 69 ANS

... en attendant la sortie de SKORECKI DEVIENT PRODUCTEUR (1h27, 2013)

marty stuart dans son hommage sublime aux staples singers

kevin ayers/why are we sleeping (1970)